We are nothing but a link between our culture and what we can actually produce.
ABBAS KIAROSTAMIDespite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
More Abbas Kiarostami Quotes
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The one-word cinema wasn’t possible for me anymore. I’d hit a wall, a dead end. Therefore I thought I’d turn back.
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The [Iranian] government grapples with more important issues and we can maybe say that these films don’t really exist for them. It’s not about whether they like it or don’t; it’s just not very important to them.
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The digital camera has given me total freedom and a different way of filming.
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The day we run out of petrol is the day Iran will be free.
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If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
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I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
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Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.
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Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it’s sometimes very difficult to direct or order them to do something.
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Cinema seats make people lazy. They expect to be given all the information. But for me, question marks are the punctuation of life.
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Having an international voice is not really about whether we speak Persian or any other language.
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I don’t have very complete scripts for my films. I have a general outline and a character in my mind, and I make no notes until I find the character who’s in my mind in reality.
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A digital camera does have many advantages and I was a believer that digital video would be a big influence on film-making.
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In my films, I try to give people as little information as possible, which is still much more than what they get in real life. I feel that they should be grateful for the little bit of information I give them.
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Good cinema is what we can believe and bad cinema is what we can’t believe. What you see and believe in is very much what I’m interested in.
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I do think that we are sometimes, as directors, guilty of portraying or asking our actors to behave in certain ways that are perhaps not very morally acceptable. I’m not the only one.
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As film-makers, it is very important for us to find common ground between cultures, and maybe that’s less the case for politicians who benefit more from finding the conflicts and differences between us.
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Silence doesn’t seem heavy or difficult.
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This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark.
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There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are “like” someone in love sounds right.
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In the total darkness, poetry is still there, and it is there for you.
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People have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people’s minds to lazy minds.
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My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
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In my mind, there isn’t as much of a distinction between documentary and fiction as there is between a good movie and a bad one.
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I didn’t just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
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When I’m in the process of making a movie I’m not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences.
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In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
ABBAS KIAROSTAMI