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I would be too selfish if I said everyone should see my movies more than once. To say that would mean I’m just marketing my work!

Abbas Kiarostami

I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
ABBAS KIAROSTAMI

Complication Deny Expression Life Perception Thinking
Despite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
ABBAS KIAROSTAMI

Despite Ease Great Understand Use Video
I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it’s still nothing but a copy.
ABBAS KIAROSTAMI

Camera Closer Digital Fashion Film Giving Making Nothing
If we’re not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas – I have no problem with 35mm.
ABBAS KIAROSTAMI

Advantage Digital Drama Especially Shooting Video
As film-makers, it is very important for us to find common ground between cultures, and maybe that’s less the case for politicians who benefit more from finding the conflicts and differences between us.
ABBAS KIAROSTAMI

Benefit Common Culture Difference Film Ground Important Politician
I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
ABBAS KIAROSTAMI

Believe End Film Kids Camera Like Made Ten
I do believe in [Robert] Bresson’s method of creation through omission, not through addition.
ABBAS KIAROSTAMI

Addition Believe Creation Omission Robert
The Iranian government as a whole has no relationship with my films. They’re not particularly interested, perhaps this kind of cinema is not very interesting to them.
ABBAS KIAROSTAMI

Cinema Film Government Interesting Iranian Perhaps Relationship
Film is very much a universal and common voice, and we can’t limit it to one particular culture.
ABBAS KIAROSTAMI

Common Culture Film Limit Universal Voice
As soon as people enter a theater they must become moron consumers who must be fed information.
ABBAS KIAROSTAMI

Consumer Fed Information Moron People Theater
In the total darkness, poetry is still there, and it is there for you.
ABBAS KIAROSTAMI

Darkness Desire Hope Poetry Still Total You
A work of art doesn’t exist outside the perception of the audience.
ABBAS KIAROSTAMI

Art Audience Exist Outside Perception Work
The [Iranian] government grapples with more important issues and we can maybe say that these films don’t really exist for them. It’s not about whether they like it or don’t; it’s just not very important to them.
ABBAS KIAROSTAMI

Exist Government Grapple Important Issue Issues
I have no advice for anyone on how to live.
ABBAS KIAROSTAMI

Advice Anyone Ask Live Option
I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
ABBAS KIAROSTAMI

Allen Film Make Matter Thinking Woody
I can only display what I’ve been nurtured with, which is this worldview which has become my view. If I displayed anything different from it in my work, I wouldn’t deserve this heritage.
ABBAS KIAROSTAMI

Anything Different Display Displayed Heritage Nurtured View Worldview
My car is my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.
ABBAS KIAROSTAMI

Car Film Friend Home Intimate Location Office
My car’s my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.
ABBAS KIAROSTAMI

Best Car Friend Home Intimate Location Sense View
As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
ABBAS KIAROSTAMI

Choice Long Possible Responsibility Right
Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.
ABBAS KIAROSTAMI

Close up Director Film Oeuvre Thinking Time Way
I think violence can never be justified. At the same time, nobody’s culture or beliefs should be insulted, that’s not something I can accept either. But I cannot justify or accept any violence at all.
ABBAS KIAROSTAMI

Accept Belief Insulted Justified Thinking Violence
I think life is so difficult to catch, it’s so furtive, that a copy, a film, can in no way catch it and represent it.
ABBAS KIAROSTAMI

Difficult Furtive Life Represent Thinking Way
My way of expression is full of complications and mystery because that’s my perception of life.
ABBAS KIAROSTAMI

Complication Expression Life Mystery Perception Way
Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
ABBAS KIAROSTAMI

Consider Filmmaker Intuition Master Storyteller Vision
There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are “like” someone in love sounds right.
ABBAS KIAROSTAMI

Certainties Dark Death Define Existence Harder Life Thinking
Close-Up has affected later films that I’ve made.
ABBAS KIAROSTAMI

Affected Close up Film Made
I thought that I had been asked every kind of question possible.
ABBAS KIAROSTAMI

Asked Kind Possible Question

I would be too selfish if I said everyone should see my movies more than once. To say that would mean I’m just marketing my work!

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I would be too selfish if I said everyone should see my movies more than once. To say that would mean I’m just marketing my work!

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