“In my mind, there isn’t as much of a distinction between documentary and fiction as there is between a good movie and a bad one.”

I can only display what I’ve been nurtured with, which is this worldview which has become my view. If I displayed anything different from it in my work, I wouldn’t deserve this heritage.

I believe there’s only good cinema and bad cinema.

While shooting Ten I was sitting in the backseat, but I didn’t interfere. Sometimes, I was following in another car, so I was not even present on the “set”, because I thought they would work better in my absence.

I have received the digital camera as a blessing. It has really changed my life as a filmmaker, because I don’t use my camera anymore as a camera. I don’t feel it as a camera.

I never reflect or convey that which I have not experienced myself.

The experience of life teaches us that being like someone in love is more real, because everything is uncertain.

If we’re not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas – I have no problem with 35mm.

I have somewhat lost my enthusiasm in the last years. Mainly because film students using digital video these days have not really produced anything which is more than superficial or simplistic; so I have my doubts.

We are nothing but a link between our culture and what we can actually produce.

Having an international voice is not really about whether we speak Persian or any other language.

In order to be universal, you have to be rooted in your own culture.

I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.

In my experience as a director, I think there is obviously something of the way men – maybe that’s a common point with Shirin – the way men see women in the film, and the way these two characters see each other.

I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.

All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what’s inside of all of us.

There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are “like” someone in love sounds right.

I think the British have the distinction above all other nations of being able to put new wine into old bottles without bursting them.

These infinitesimal distinctions between man and man are too paltry for an Omnipotent Being. How these madmen give themselves away! The real God taketh heed lest a sparrow fall. But the God created from human vanity sees no difference between an eagle and a sparrow.

Simplicity and naturalness are the truest marks of distinction.

The distinction between children and adults, while probably useful for some purposes, is at bottom a specious one, I feel. There are only individual egos, crazy for love.

It is a badge of distinction, an emblem of success, without having to say too much about it.

There’s an important difference and distinction between the objective medical fact of my being an amputee and the subjective societal opinion of whether or not I’m disabled.

The distinction between right and wrong (“la distinction du bien et du mal”, Fr.), is nothing else than their unyielding (or implacable) opposition.

Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.