Every artist is an unhappy lover. And unhappy lovers want to tell their story.
IRIS MURDOCHEvery persisting marriage is based on fear’, said Peregrine. ‘Fear is fundamental, you dig down in human nature and what’s at the bottom? Mean spiteful cruel self-regarding fear, whether it makes you to put the foot in it or whether it makes you to cower.
More Iris Murdoch Quotes
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So we live; a spirit that broods and hovers over the continual death of time, the lost meaning, the unrecaptured moment, the unremembered face, until the final chop that ends all our moments and plunges that spirit back into the void from which it came.
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People have disappointed me and deceived me and let me down.
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I think being a woman is like being Irish, Everyone says you’re important and nice, but you take second place all the time.
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Hegel says that Truth is a great word and the thing is greater still. With Dave we never seemed to get past the word.
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I don’t think I can marry, I’m not fit for it, I’m not real enough. That’s the trouble. I’m a puppet that’s realised what’s wrong with itself and it’s horrible. I’m propped up somewhere all alone, watching the real people go past. I’m propped up crying in a corner.
IRIS MURDOCH -
Of course this chattering diary is a facade, the literary equivalent of the everyday smiling face which hides the inward ravages of jealousy, remorse, fear and the consciousness of irretrievable moral failure. Yet such pretenses are not only consolations but may even be productive of a little ersatz courage.
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What a test that is: more than devotion, admiration, passion. If you long and long for someone’s company you love them.
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Love doesn’t think like that. All right, it’s blind as a bat- Bats have radar. Yours doesnt seem to be working.
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Love is the extremely difficult realization that something other than oneself is real.
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Let us not waste love, it is rare enough.
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There is a gulf fixed between those who can sleep and those who cannot. It is one of the greatest divisions of the human race.
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Only take someone’s hand in a certain way, even look into their eyes in a certain way, and the world is changed forever.
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Every man needs two women, a quiet home-maker, and a thrilling nymph.
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We need a moral philosophy which can speak significantly of Freud and Marx and out of which aesthetic and political views can be generated. We need a moral philosophy in which the concept of love, so rarely mentioned now, can once again be made central.
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In philosophy if you aren’t moving at a snail’s pace you aren’t moving at all.
IRIS MURDOCH