I think that there’s something that I still like about the fact of a package, like the latest report from somebody. “Okay, this is what they’re up to now; this is what they’re doing; who’s working with them?
BRIAN ENOFor the world to be interesting, you have to be manipulating it all the time.
More Brian Eno Quotes
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I think very often producers are really trying to repeat things. When they hear something in the new songs that they recognize as being a bit like something that was a success on a previous record, they’re inclined to encourage that.
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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People who are very confident in themselves aren’t hurt by criticism. They make use of it.
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Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
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Set up a situation that presents you with something slightly beyond your reach.
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The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
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Some people are very good at being ‘stars’ and it suits them. I’m grudging about it and I find it annoying.
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When I went back to England after a year away, the country seemed stuck, dozing in a fairy tale, stifled by the weight of tradition.
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Everything good proceeds from enthusiasm.
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There are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn’t designed to do.
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The artists of the past who impressed me were the ones who really focused their work.
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I’ve noticed a terrible thing, which is I will agree to anything if it’s far enough in the future.
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For the world to be interesting, you have to be manipulating it all the time.
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It infuriates me that stuff from the Internet routinely doesn’t include all the credits. Because as soon as I listen to something, if I like it, I want to know, “Who’s the bass player?” “Who did that?” “Who’s the engineer on this?
BRIAN ENO