Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
BRIAN K. VAUGHANI think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
More Brian K. Vaughan Quotes
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Every issue, the characters and I duke it out. They usually win.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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I like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
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I’m still digesting the ’90s. It takes some time to get perspective.
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
BRIAN K. VAUGHAN -
I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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I’m not afraid of the world. I’m afraid of a world without you.
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These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
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Pacifists are like vegans, I’m more of a vegetarian. I enjoy fish and occasional maulings.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
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I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
BRIAN K. VAUGHAN