I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
BRIAN K. VAUGHANI think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
More Brian K. Vaughan Quotes
-
-
I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
BRIAN K. VAUGHAN -
Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
BRIAN K. VAUGHAN -
It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
BRIAN K. VAUGHAN -
Every issue, the characters and I duke it out. They usually win.
BRIAN K. VAUGHAN -
I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
BRIAN K. VAUGHAN -
I think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
BRIAN K. VAUGHAN -
Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of ‘Star Wars.’
BRIAN K. VAUGHAN -
To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
BRIAN K. VAUGHAN -
I’ve always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.
BRIAN K. VAUGHAN -
That was the appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
BRIAN K. VAUGHAN -
I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
BRIAN K. VAUGHAN -
I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
BRIAN K. VAUGHAN -
There’s just something about that late ’80s that suddenly feels like it has something to teach us.
BRIAN K. VAUGHAN -
No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
BRIAN K. VAUGHAN -
I don’t start a story until I know where it’s going to end.
BRIAN K. VAUGHAN