In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
BRIAN ENOI do sometimes look back at things I’ve written in the past, and think, ‘I just don’t remember being the person who wrote that.’
More Brian Eno Quotes
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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Some people are very good at being ‘stars’ and it suits them. I’m grudging about it and I find it annoying.
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I’ve always thought that art is a lie, an interesting lie. And I’ll sort of listen to the “lie” and try to imagine the world which makes that lie true…what that world must be like, and what would have to happen for us to get from this world to that one.
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Painting, I think it’s like jazz.
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
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Rationality is what we do to organize the world, to make it possible to predict. Art is the rehearsal for the inapplicability and failure of that process.
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If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
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It’s actually very easy for democracy to disappear.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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Most of those melodies are me trying to find out what notes fit, and then hitting ones that don’t fit in a very interesting way.
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I don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
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I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it – like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music.
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People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious.
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I occasionally meet people and they say, ‘Oh, I was born to Discreet Music’… They always have very weird eyes, those people.
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Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
BRIAN ENO