My mom once told me that a good relationship isn’t where the other person makes you feel better, but where they make *you* better.
BRIAN K. VAUGHANA comic script is basically a love letter from you to your artist.
More Brian K. Vaughan Quotes
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After ten years of toiling away in Hollywood, I realized that there’s no better place for new ideas than comics.
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We describe [Paper Girls] as Stand By Me meets Terminator.It’s a story about nostalgia and childhood, but with an action-packed, sci-fi bent.
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I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
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How is it possible that our parents lied to us?” “Lets see: Santa, the Tooth Fairy,the Easter bunny,um, God. You’re the prettiest kid in school. This wont hurt a bit. Your face will freeze like that…” “Everythings going to be alright.
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I’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
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It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
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I’ve always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.
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The appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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Every issue, the characters and I duke it out. They usually win.
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I think some people are just very passionate that things remain the way they were when they were kids.
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I’m still digesting the ’90s. It takes some time to get perspective.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
BRIAN K. VAUGHAN







