Yeah, that’s right. Flee in terror, bitches!
BRIAN K. VAUGHANA comic script is basically a love letter from you to your artist.
More Brian K. Vaughan Quotes
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Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
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What cruel creatures men are. Our bodies tell us to love so many, but there’s room in our hearts for so few.
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I think some people are just very passionate that things remain the way they were when they were kids.
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I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
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Every issue, the characters and I duke it out. They usually win.
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It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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We describe [Paper Girls] as Stand By Me meets Terminator.It’s a story about nostalgia and childhood, but with an action-packed, sci-fi bent.
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Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
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I’m still digesting the ’90s. It takes some time to get perspective.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
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A comic script is basically a love letter from you to your artist.
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I’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
BRIAN K. VAUGHAN






