The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
BERNARDO BERTOLUCCIFor example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
More Bernardo Bertolucci Quotes
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
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I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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