The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
BERNARDO BERTOLUCCIEvery film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
More Bernardo Bertolucci Quotes
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I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
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A name? Oh, Jesus Christ. Ah, God, I’ve been called by a million names all my life. I don’t want a name. I’m better off with a grunt or a groan for a name.
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What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
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There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
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I left the ending ambiguous, because that is the way life is.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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I’m no longer interested in making political films. There’s something old-fashioned about them.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
BERNARDO BERTOLUCCI