If New York is the Big Apple, tonight Hollywood is the Big Nipple.
BERNARDO BERTOLUCCII haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.
More Bernardo Bertolucci Quotes
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Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures.
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The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
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After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
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You live day by day. You can’t build your life.
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New York has always embraced me.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
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Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere… terrible! In London, it is the same. Every pavement is uneven.
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What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
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A name? Oh, Jesus Christ. Ah, God, I’ve been called by a million names all my life. I don’t want a name. I’m better off with a grunt or a groan for a name.
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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