“To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.”

For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.

I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.

I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.

A dolly move is a moral commitment.

I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.

I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.

I like to be in a huis clos, as the French say – in one place. It’s something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!

If New York is the Big Apple, tonight Hollywood is the Big Nipple.

I haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.

Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.

I don’t film messages. I let the post office take care of those.

This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.

I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.

I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.

Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere… terrible! In London, it is the same. Every pavement is uneven.

What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.

Realism’ has been abandoned in the search for reality: the ‘principal objective’ of abstract art is precisely this reality.

I need an endorphin boost. And making out in an abandoned barn with me will give you one? No, it will probably put me in an endorphin coma, and im more than happy to test the theory.

The need to be loved and protected is at a peak when we feel abandoned and are particularly vulnerable to difficult circumstances.

We have absolutely abandoned any idea of nationalist loyalty.

It is an absolute declaration of the fact that within my heart I have abandoned worship at the Cross.

Trust and confidence that have been built is not something that should be abandoned without great consideration for the potentially grave consequences to the United States.

European governments recognized this and abandoned their resistance to weapons deliveries. Germany, too, acted correctly.

Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.