After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
BERNARDO BERTOLUCCIAs a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
More Bernardo Bertolucci Quotes
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Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
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I haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
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There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
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If New York is the Big Apple, tonight Hollywood is the Big Nipple.
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
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A dolly move is a moral commitment.
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Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere… terrible! In London, it is the same. Every pavement is uneven.
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I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
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English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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I left the ending ambiguous, because that is the way life is.
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You live day by day. You can’t build your life.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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I’m no longer interested in making political films. There’s something old-fashioned about them.
BERNARDO BERTOLUCCI