“I want to play a villain – I can’t wait to play a villain.”

When I go onstage, I want to relieve your mind, your pressures.

I’m very much disciplined because I’m more mature. When I was young I just wanted to live, I could jump, I could run, I was quick and I was relentless.

I’m an entertainer and I really enjoy entertaining. I think if you’re going to really be what you say you are, you have to really live it, work it, practice it, and think it.

I came up in the community center. I used to be physical director of the South Central Community Center in Chicago on 83rd. It’s still there. It used to be around there when I was a kid.

I became the storyteller of South Side Chicago. I used an old Kiwi liquid shoe polish as a microphone. I’d go around the house interviewing everybody, telling stupid jokes, doing voices. I mimicked Sidney Poitier, Sammy Davis Jr., people on ‘Laugh-In,’ Flip Wilson.

I’ve been in training for stardom.

You know, every time it comes, every time that light comes on or every time that camera comes on, every time that microphone comes on, the Mac Man seek and destroy.

Why do people love Richard Pryor so much? ‘Cause he had problems.

My family are police officers, detectives. My brother Mitch is FBI. Mitch is like that – a stern enforcer.

I learned hard lessons in life; I had to because I had so much happen: My mother died my sophomore year in high school. The next year, same day, my brother dropped dead. Two years after that, I got married because my girlfriend got pregnant. The year after my wedding, my father – who I had only recently met – died.

I wasn’t disciplined at all. As good of an athlete as I was, I was not disciplined. Had I had the drive that I have in comedy, and acting, and writing, that’s why I knew it just wasn’t right for me.

I was born October 5, 1957, on the South Side of Chicago, in the Woodlawn area, a neighborhood that hasn’t changed much in forty-five years. Our house was on 66th and Blackstone, but the city tore it down when the rats took over.

I’m funny. I’m a comedian. I’m not a clown.

Making people laugh is what I’ve been doing since I was like four or five years old. I still have a lust, I still have a passion. I don’t care about how I look, I’m dedicated to the laughs.

I want people to say at the end of my day, you know, like I used to say about Sidney Poitier and James Cagney and Joan Crawford and Red Skelton and those guys and Bill Cosby. They did quality and substance. You always remember them.

The one thing about comedy, making it become a part of you, the audience loves it, because you become part of them.

Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.

Energy is liberated matter, matter is energy waiting to happen.

I’m just waiting for God to tell me what to do, but whatever it is, I want to be doing something like I am doing now-serving God and helping people.

She was not a slowpoke grownup. She was a girl who could not wait. Life was so interesting she had to find out what happened next.

each of us has been given the ability to reach God with our prayers. … Whatever form it takes, each prayer is an invitation for God to bring his power into another life. God wants to help us, but he waits for us to seek his help.

I haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.

In the end, living is defined by dying. Book-ended by oblivion, we are caught in the vice of terror, squeezed to bursting by the approaching end. Fear is ever-present, waiting to be called to the surface. Change brought fear, and fear brought destruction.

If mortals wait until the gods remake the world to their liking to be happy, they are already in hell.