There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
BEN GIBBARDI’ve covered Avril Lavigne. I like good pop songs, and I don’t think there should be any kind of preconceptions about where good pop songs come from.
More Ben Gibbard Quotes
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I don’t want to be overly dramatic and say it’s the only thing that gets me up and keeps me going. But people in your life come and go.
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Nada Surf and Harvey Danger are good bands. I think they’ve just stayed true to why they play music in the first place, it’s just because they love doing it and they love each other and that’s the impetus for doing it, not trying to keep singles on the radio and on MTV.
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I don’t think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
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A lot of the material is about the inevitable disappointment people feel as they move through life, and things don’t feel the way they expect. No experience will ever match up to the idealized version in your mind.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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I have always been very open and earnest about some things in my life, some things that are not directly in my life, but they’re twirling around me at the time.
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I don’t want to be overdramatic about it, but I’m starting to see a lot of my bad habits get the best of me.
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The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you’re listening to the song because they’re so seamless and clever.
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If there is one thing I think I have accomplished, it’s that I always thought of myself as a very literal songwriter, and as I look at some of those older records.
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I’m not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun.
BEN GIBBARD -
I feel like there’s a lot of beauty in the darkness of ‘Narrow Stairs,’ but that’s not really a place I’m ready to go to for a while. I’m interested in taking a different approach and having the next record be different in tone – I’m just not interested in making another dark, dark album.
BEN GIBBARD -
I don’t think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we’re in Baltimore trying to figure out what to do with ourselves.
BEN GIBBARD -
I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
BEN GIBBARD -
I can remember how I sang – a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You’re wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool.
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Liking interesting things doesn’t make you interesting.
BEN GIBBARD