“The second ‘Postal Service’ album is threatening to become the ‘Chinese Democracy’ of indie rock. It will come out eventually, or maybe it won’t.”

I kind of dropped a lot of bad habits about three years ago and became kind of accidentally straight-edge. I don’t have Xs on my hands, but I guess if I wanted to go back to calling myself straight-edge, I could.

There were a lot of fences and walls existing in my life, literally and figuratively, and that was really not indicative of the kind of person that I’d always been. So, when I moved back to Seattle, the first thing I said was, “I will never live in fear again.”

I’d like the songs to be more storytelling, but also have the turns of phrase within them that would hopefully distance my writing from the pack.

We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.

We would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”

As a songwriter, I’m not necessarily writing about myself or my life.

Our band is very polarizing. There are people who absolutely can’t stand us, and people who absolutely can’t live without us. I’d rather spark those kind of polar-opposite feelings than have people be indifferent.

Hall & Oates is one of the few musical groups as satisfying now as it was back then. There’s something incredibly musically satisfying about their songs. Nothing has diminished my love for them.

I like writing on piano and a computer, and a lot of ‘Plans’ came out of samples and vocal lines.

The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you’re listening to the song because they’re so seamless and clever.

To set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.

I have always been very open and earnest about some things in my life, some things that are not directly in my life, but they’re twirling around me at the time.

There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.

As you go through your life, you make friendships, you break friendships, you have relationships. Music is the one thing I’ve always been able to rely on.

A lot of the material is about the inevitable disappointment people feel as they move through life, and things don’t feel the way they expect. No experience will ever match up to the idealized version in your mind.

Around that same time I started running. I never saw myself as the kind of person who would become a runner. It seemed unfathomable to me that I would ever run three miles, let alone 26.2.

Because of the Chinese culture of obedience, you don’t ask questions… You follow and obey.

If I were to limit myself to the opportunities that were presented playing only Chinese-American parts, I would be virtually without a career.

I’m doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I’ve been preparing for half a year.

Your own acts tell the world who you are and what kind of society you think it should be.

Chinese government is very clearly losing power in every aspect, but trying to fix up all the problems or potential problems.

I think I’m just a traveler. When you walk across a river and there’s no bridge, you build one. I’m used to having to deal with Chinese Communist ideology.

The relationship between the Chinese government and me is like a Cold War.

To call yourself a Chinese artist or woman artist or African artist reflects a certain kind of condition. To me, that is not necessary.