We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn’t get arrested a year later.
BEN GIBBARDThe second ‘Postal Service’ album is threatening to become the ‘Chinese Democracy’ of indie rock. It will come out eventually, or maybe it won’t.
More Ben Gibbard Quotes
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Around that same time I started running. I never saw myself as the kind of person who would become a runner. It seemed unfathomable to me that I would ever run three miles, let alone 26.2.
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Now that we have the resources, we’re like, “Oh wow, a nice studio is pretty nice! They do have nice outboards here. It’s actually a pretty good place.” It’s funny how much changes so quickly.
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I don’t want to be overdramatic about it, but I’m starting to see a lot of my bad habits get the best of me.
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I feel that we are currently living in a world that is similar to late ’50s, early ’60s kind of world.
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I feel like on those older records there are a lot of attempts at clever turns of phrase.
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I can remember how I sang – a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You’re wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool.
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I’m not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun.
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I kind of dropped a lot of bad habits about three years ago and became kind of accidentally straight-edge. I don’t have Xs on my hands, but I guess if I wanted to go back to calling myself straight-edge, I could.
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Liking interesting things doesn’t make you interesting.
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Nada Surf and Harvey Danger are good bands. I think they’ve just stayed true to why they play music in the first place, it’s just because they love doing it and they love each other and that’s the impetus for doing it, not trying to keep singles on the radio and on MTV.
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When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record.
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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
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Every record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
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As you go through your life, you make friendships, you break friendships, you have relationships. Music is the one thing I’ve always been able to rely on.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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I think sometimes a narrative can come out of a single word.
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You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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I want so badly to believe that there is truth, that love is real. And I want life in every word to the extent that it’s absurd.
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I just rediscovered my guitar.
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A lot of the material is about the inevitable disappointment people feel as they move through life, and things don’t feel the way they expect. No experience will ever match up to the idealized version in your mind.
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Between every record, we all split off in our own world and we all end up listening to usually pretty different music on our own. We come together not really knowing what the other people having been really listening to and what’s been influencing them.
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There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
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And it came to me then that every plan is a tiny prayer to father time.
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I can remember sitting up in guitarist Chris Walla’s bedroom and for the first time in my life having this realization like, “Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play.”
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The Photo Album is the weakest record. For the first time in our careers, we found ourselves with an economic incentive to be on the road and to be making albums.
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I feel like there’s a lot of beauty in the darkness of ‘Narrow Stairs,’ but that’s not really a place I’m ready to go to for a while. I’m interested in taking a different approach and having the next record be different in tone – I’m just not interested in making another dark, dark album.
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