“I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.””

Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.

I think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.

All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.

It’s always hard to explain why an audience ultimately responds to a movie.

You have a movie and it proves itself and then certain things happen.

First of all, just to get Diner made would have been an achievement in that I got a chance to direct.

There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.

I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.

I don’t know that you can do it as a satire. I mean, the business is crazy enough as it is. It’s like doing Wag The Dog – we took a thing that was almost completely absurd on one level, and then ultimately those things came about.

You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.

The interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.

I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.

No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.

I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.

I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.

I think when Sarah Palin opened her mouth and started talking, the more she talked, the less appealing she became.

Don’t worry about bad things that haven’t happened yet. It will save you a lot of anxiety.

I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.

I had to find a way to be more honest about what happened. And it wasn’t fun to write, even though the poems aren’t 100% autobiographical.

We’re a long way from the embargo ending. Look at what just happened with the rollback of Obama’s Cuba policies. Two idiot congressmen convinced our idiot president to make it harder on Cubans on the island.

I knew all the time I was going to get through the war. It was completely irrational, a silly idea, but I was not going to lie down and get myself killed. I was going to get out of it.

I mean, nothing ever really happened with ’em, but I enjoy getting a young band into the studio and guiding them, and making them feel at ease.

What I love about doing my concerts is always feeding off the fans and their energy.

The job at Brooklyn is interesting because Brooklyn reflects what happened to university art departments everywhere. It might be the worst department now, and yet at one point it was the best in the country.