“I’ve never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.”

I’m not a performer who will come on stage and tell you everything about my life. It’s just not who I am.

Anything that I do, I try to make it as good as I possibly can.

Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.

Kirstie [Alley] saved me, in a way. [At the time], I had a terrible marriage, and I stayed at her house.

I loved Jay Thomas as Eddie LeBec. But there was a point where they [thought] maybe we would live together, and I didn’t like the idea of Carla being with somebody because that would make you feel like [you’re] not part of the people in the bar.

I’ve been very fortunate in my collaborators throughout my career.

Stage and film are just two wildly different animals. Why compare the two?

Certainly the life of a dancer is very difficult. The training is very hard and relentlessly grueling.

That was the aura of Cheers: It was special. It was more than TV; you could get people to guest on the show you couldn’t normally get.

If I’m not in shape, it feels like something is wrong. If I haven’t been able to get to class for a while or I’ve been sick.

I have the greatest picture of Ted [Danson]. That was a big caper,

I really loved Kelsey [Grammer]. It wasn’t a romantic love, but there was something about him. It’s very difficult to see someone you care about having a hard time.

The musical stuff I’d go up for was always funny, sexy, tough-as-nails, heart-of-gold characters.

On the rare occasions I go to the gym, I prefer silence.

When I was born, they put casts on my legs ’cause I had some kind of dysplasia or something. My legs were all messed up.

I don’t see myself as a diva at all.

I have a lot of intention behind what I put out there. The reason all this stuff I do works together, the environmental and social, collaborating with ballet companies to score a show, the bike tour – all of that stuff comes together through community building with music.

When I’m doing well, it’s like I’m in a nice little ballet. Everything is going slow all around me. It’s very peaceful.

It’s no good running a pig farm badly for 30 years while saying, ‘Really, I was meant to be a ballet dancer.’ By then, pigs will be your style.

I suppose I’m the only person who remembers one of the most exciting of his ballets-it’s the fruit of an unlikely collaboration between Nijinsky on the one hand and Sir Arthur Conan Doyle on the other.

Many other women have kicked higher, balanced longer, or turned faster. These are poor substitutes for passion.

Ballet technique never becomes easy, it becomes possible

A good education is usually harmful to a dancer. A good calf is better than a good head.

I started with ballet and then my cousin Sarah introduced me to her tap teachers.