You don’t always have to have the ending, but you want to have a satisfactory conclusion.
BARRY LEVINSONCraig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
More Barry Levinson Quotes
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
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Some actors are supposed to be very difficult, but I’ve not found that to be the situation.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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I think test screening works at its best when the audience knows what it’s getting.
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I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
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There’s no downside to having too much experience.
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You have a movie and it proves itself and then certain things happen.
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I always think that there is the good and the bad of it all.
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Ronald Reagan was this actor who was going to be president, and he was very charming. What he had was, he talked about America in ways that got people all caught up in it. He was creating this America – it could even be the mythical “America” – that we subscribe to.
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I worked at a local television station and I got a chance to direct and do all those things – worked kiddie shows, Ranger House show with the hand puppets and things like that.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
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I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
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We’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
BARRY LEVINSON






