If a novel is written in a certain language with certain characters from a particular community and the story is very good or illuminating, then that work is translated into the language of another community.
NGUGI WA THIONG'OWe can appreciate each other’s languages. And the question of being uncomfortable about our languages would go away.
More Ngugi wa Thiong'o Quotes
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How did we arrive at this, that the best leader is the one that knows how to beg for a share of what he has already given away at the price of a broken tool? Where is the future of Africa?
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Many people do not know that Jesus did not speak Latin or English or Hebrew; he spoke Aramaic. But nobody knows that language.
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Seen as an economic, political, cultural, and psychological re-membering vision, it should continue to guide remembering practices
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I’m more trying to connect; I’m more listening to people. Whatever I get is very meaningful to me.
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A person who acquires English has access to all the things that that language makes possible.
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Through the act of translation we break out of linguistic confinement and reach many other communities.
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The Bible has affected their lives, but in translation, since they do not read the Bible in the original Greek or Hebrew.
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So what I thought was just an African problem or issue is actually a global phenomenon about relationships of power between languages and cultures.
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Any writer likes to be near the area which is the location of his work.
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What’s good about writing is that when you write novels or fiction, people can see that the problems in one region are similar to problems in another region.
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You get another person who operates only in an African language and there are many persons who operate only in African languages; he or she is excluded from all the goodies that come with English.
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The same questions are there in Native American languages, they’re there in native Canadian languages, they’re there is some marginalized European languages, like say, Irish.
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I was wondering why I was put in prison for working in an African language when I had not been put in prison for working in English. So really, in prison I started thinking more seriously about the relation between language and power.
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I’m writing for those people in Kenya, but in Irvine and in New York.
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It was a revelation for me, in a practical sense, that you could write in an African language and still reach an audience beyond that language through the art of translation.
NGUGI WA THIONG'O