“It was a revelation for me, in a practical sense, that you could write in an African language and still reach an audience beyond that language through the art of translation.”

Our lives are a battlefield on which is fought a continuous war between the forces that are pledged to confirm our humanity and those determined to dismantle it.

The Bible in translation is being read to thousands and thousands in Africa. It is an integral part of their functioning and the way they look at the world.

You get another person who operates only in an African language and there are many persons who operate only in African languages; he or she is excluded from all the goodies that come with English.

What is translated from English and into English – and in what quantities – is a question of power.

How could Europe lord it over a continent ten times its size? Why does needy Africa continue to let its wealth meet the needs of those outside its borders and then follow behind with hands outstretched for a loan of the very wealth it let go?

The Bible affects everybody’s life who is a Christian, from the middle class in Europe to the peasant in Africa and Asia.

The same questions are there in Native American languages, they’re there in native Canadian languages, they’re there is some marginalized European languages, like say, Irish.

The Bible has affected their lives, but in translation, since they do not read the Bible in the original Greek or Hebrew.

Through the act of translation we break out of linguistic confinement and reach many other communities.

So what I thought was just an African problem or issue is actually a global phenomenon about relationships of power between languages and cultures.

Of course it’s very, very important for me to feel Kenya, to feel, every day, this is where images come from. So to be taken away from that by political pressure or other means – one is taken away from the area, which is the basis of inspiration – is difficult.

I think a repressive regime always fears people who are awakened – particularly ordinary people. If they are awakened, I think governments all over the world feel uncomfortable about that; they want to be in control.

Many people do not know that Jesus did not speak Latin or English or Hebrew; he spoke Aramaic. But nobody knows that language.

A person who acquires English has access to all the things that that language makes possible.

For me, being in prison writing in an African language was a way of saying: “Even if you put me in prison, I will keep on writing in the language which made you put me in prison.”

If poverty was to be sold three cents today, i can’t buy it.

My philosophy is, it’s always very rewarding when you can make an audience laugh. I don’t mind making fun of myself. I like self-deprecating comedy. But I’d like you to laugh with me occasionally, too.

As long as I can do something that I am passionate about and that I can really enjoy and the audience can enjoy. That is where my enthusiasm comes from.

I want to show audiences I can act.

Having a story is what people connect with, but the story alone doesn’t allow you to achieve greatness and results. It’s the day-to-day consistency of providing value to your audience.

The whole idea is just to continue to make movies that I enjoy playing and that audiences are going to enjoy me in just to put out quality on a lot of different levels.

You never really know what’s going to happen. You never know what the audience is going to be like or how they’re going to behave.

If you check your ego at the door when it comes to comedy, you’ve got a pretty good shot at making a great movie that you can commit yourself to, you can jump off the proverbial cliff with, and have a great time, and the audiences respond to that.

The philosophy has always been pretty clean and straightforward, which is that if I see something that I like and I can see it’s value to the audience and it’s value to me then I’m going to take my shot at it regardless at the genre.