The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
NADINE GORDIMERWritten words still have the amazing power to bring out the best and worst of human nature
More Nadine Gordimer Quotes
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From Ernest Hemingway’s stories I learned to listen within my stories for what went unsaid by my characters.
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In a certain sense a writer is ‘selected’ by his subject – his subject being the consciousness of his own era.
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Nothing fades so quickly as what is unchanged.
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Perhaps the best definition of progress would be the continuing efforts of men and women to narrow the gap between the convenience of the powers that be and the unwritten charter.
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The Communist Party is very popular in South Africa, especially among the young people. Never having had a chance to travel, and having suffered so much under capitalism, they still can’t believe that the Russian people themselves have rejected it.
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The creative act is not pure. History evidences it. Ideology demands it. Society exacts it.
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Your whole life you are really writing one book, which is an attempt to grasp the consciousness of your time and place– a single book written from different stages of your ability.
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The country of the tourist pamphlet always is another country, an embarrassing abstraction of the desirable that, thank God, does not exist on this planet, where there are always ants and bad smells and empty Coca-Cola bottles to keep the grubby finger-print of reality upon the beautiful.
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Censorship may have to do with literature; but literature has nothing whatever to do with censorship.
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What is the purpose of writing? For me personally, it is really to explain the mystery of life, and the mystery of life includes, of course, the personal, the political, the forces that make us what we are while there’s another force from inside battling to make us something else.
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Writing is making sense of life.
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Exile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.
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I shall never write an autobiography, I’m much too jealous of my privacy for that.
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If you live in Europe . . . things change . . . but continuity never seems to break. You don’t have to throw the past away.
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It was a miracle; it was all a miracle: and one ought to have known, from the sufferings of saints, that miracles are horror.
NADINE GORDIMER