Rebirth. I mean by this simply what happens when the child begins to realise the fact that the black does not enter through the white’s front door is not in the same category as the fact that the dead will never come back.
NADINE GORDIMERIt was a miracle; it was all a miracle: and one ought to have known, from the sufferings of saints, that miracles are horror.
More Nadine Gordimer Quotes
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It’s easier for the former masters to put aside the masks that hid their humanity than for the former slaves to recognise the faces underneath. Or to trust that this is not a new mask these are wearing.
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The truth isn’t always beauty, but the hunger for it is.
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a writer doesn’t only need the time when he’s actually writing – he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.
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Books dont need batteries
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Writing is making sense of life.
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Perhaps the best way to write is to do so as if one were already dead, afraid of no one’s reactions, answerable to no one’s views.
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The tension between standing apart, and being fully involved; that is what makes a writer.
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Perhaps the best definition of progress would be the continuing efforts of men and women to narrow the gap between the convenience of the powers that be and the unwritten charter.
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I have failed at many things, but I have never been afraid.
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In a country like South Africa, writers have nuisance value, because those of us who have become known overseas have certainly helped to inform people about what life is like there.
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Time is change; we measure its passage by how much things alter.
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Nothing factual that I write or say will be as truthful as my fiction.
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In a certain sense a writer is ‘selected’ by his subject – his subject being the consciousness of his own era.
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All worthwhile writing… comes from an individual vision, privately pursued.
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I don’t think I am a citizen of the world; I am very much a citizen of my own country. But my own country is closely related to other parts of the world and influenced by what happens there.
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Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
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Disaster is private, in its way, as love is.
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Writers themselves don’t analyze what they do; to analyze would be to look down while crossing a canyon on a tightrope.
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Literature is one of the few areas left where black and white feel some identity of purpose; we all struggle under censorship.
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Humans, the only self-regarding animals, blessed or cursed with this torturing higher faculty, have always wanted to know why.
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The creative act is not pure. History evidences it. Ideology demands it. Society exacts it.
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It’s absolutely fatal to your writing to think about how your work will be received. It’s a betrayal of whatever talent you have.
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Very often we support change, and then are swept away by the change. I think that…you just make your own response to your own generation. A response adequate to your time.
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Sentiment is for those who don’t know what to do next.
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Keenness of hearing revives when one is alone.
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Art defies defeat by its very existence, representing the celebration of life, in spite of all attempts to degrade and destroy it.
NADINE GORDIMER