Keenness of hearing revives when one is alone.
NADINE GORDIMERI have learned since that sometimes the things we want most are impossible for us. You may long to come home, yet wander forever.
More Nadine Gordimer Quotes
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If people would forget about utopia! When rationalism destroyed heaven and decided to set it up here on earth, that most terrible of all goals entered human ambition. It was clear there’d be no end to what people would be made to suffer for it.
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September 2001. A sunny day in New York. Many of us who are writers were at work on the transformation of life into a poem, story, a chapter of a novel, when terror pounced from the sky, and the world made witness to it.
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It’s easier for the former masters to put aside the masks that hid their humanity than for the former slaves to recognise the faces underneath. Or to trust that this is not a new mask these are wearing.
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What is the purpose of writing? For me personally, it is really to explain the mystery of life, and the mystery of life includes, of course, the personal, the political, the forces that make us what we are while there’s another force from inside battling to make us something else.
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The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
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Nothing factual that I write or say will be as truthful as my fiction.
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A desert is a place without expectation.
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Very often we support change, and then are swept away by the change. I think that…you just make your own response to your own generation. A response adequate to your time.
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Responsibility is what awaits outside the Eden of Creativity.
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A truly living human being cannot remain neutral.
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Censorship may have to do with literature; but literature has nothing whatever to do with censorship.
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In various and different circumstances certain objects and individuals are going to turn out to be vital. The wager of survival cannot, by its nature, reveal which, in advance of events.
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I’m forty-nine but I could be twenty-five except for my face and my legs.
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Mostly I’m interviewed by white people, and identified with white society.
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I never talk about what I’m writing about currently, never. It’s private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.
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From Ernest Hemingway’s stories I learned to listen within my stories for what went unsaid by my characters.
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I have failed at many things, but I have never been afraid.
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The truth isn’t always beauty, but the hunger for it is.
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Peace. The upland serenity of high altitude, the openness of grassland without indigenous bush or trees; the greening, yellowing or silver-browning that prevailed, according to season.
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The country of the tourist pamphlet always is another country, an embarrassing abstraction of the desirable that, thank God, does not exist on this planet, where there are always ants and bad smells and empty Coca-Cola bottles to keep the grubby finger-print of reality upon the beautiful.
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I don’t think I am a citizen of the world; I am very much a citizen of my own country. But my own country is closely related to other parts of the world and influenced by what happens there.
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There’s no tiling moral about beauty.
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I cannot live with someone who can’t live without me.
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A child understands fear, and the hurt and hate it brings.
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Humans, the only self-regarding animals, blessed or cursed with this torturing higher faculty, have always wanted to know why.
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Writing is making sense of life.
NADINE GORDIMER