“In various and different circumstances certain objects and individuals are going to turn out to be vital. The wager of survival cannot, by its nature, reveal which, in advance of events.”

Time is change; we measure its passage by how much things alter.

Sentiment is for those who don’t know what to do next.

Fiction is a way of exploring possibilities present but undreamt of in the living of a single life.

In a country like South Africa, writers have nuisance value, because those of us who have become known overseas have certainly helped to inform people about what life is like there.

Your whole life you are really writing one book, which is an attempt to grasp the consciousness of your time and place– a single book written from different stages of your ability.

I never talk about what I’m writing about currently, never. It’s private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.

Censorship may have to do with literature; but literature has nothing whatever to do with censorship.

a writer doesn’t only need the time when he’s actually writing – he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.

The solitude of writing is also quite frightening. It’s quite close to madness, one just disappears for a day and loses touch.

The caged eagle become a metaphor for all forms of isolation, the ultimate in imprisonment. A zoo is prison.

If you live in Europe . . . things change . . . but continuity never seems to break. You don’t have to throw the past away.

I couldn’t be sufficiently interested in human beings to be a writer if I had contempt for human beings.

Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.

Mostly I’m interviewed by white people, and identified with white society.

If I dreamt this, while walking, walking in the London streets, the subconscious of each and every other life, past and present, brushing me in passing, what makes it real? Writing it down.

Any writer of any worth at all hopes to play only a pocket-torch of light – and rarely, through genius, a sudden flambeau – into the bloody yet beautiful labyrinth of human experience, of being.

There’s a certain amount of mind control that happens. Everybody is living in a world where they’re being controlled.

There’s a certain level of pageantry with ‘Idol,’ and in order to work the show, you kind of have to feed into it.

There is a certain destiny of everything, regulated by the foreknowledge and providence of God in His works.

I think Lady Gaga is great and is changing pop music and bringing back a certain rock ‘n’ roll spirit, swagger to the game.

We all [on Aladdin] have a passion to perform and a lot of us trained to do this and there’s a certain gratification from knowing that you did your best work and knowing that you are at the level that you are at.

I still follow that model: just go hard every day, and take it one step at a time.

You do not become a real pro in your field by doing certain things – you become a pro in your field by doing things in a certain way.

There are certain things women are better at than men.