No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
H. P. LOVECRAFTThe end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
More H. P. Lovecraft Quotes
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Throw a stick, and the servile dog wheezes and pants and shambles to bring it to you. Do the same before a cat, and he will eye you with coolly polite and somewhat bored amusement.
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I could not write about ‘ordinary people’ because I am not in the least interested in them.
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Certain of Poe’s tales possess an almost absolute perfection of artistic form which makes them veritable beacon-lights in the province of the short story.
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Adulthood is hell.
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I am disillusioned enough to know that no man’s opinion on any subject is worth a damn unless backed up with enough genuine information to make him really know what he’s talking about.
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Horrors, I believe, should be original – the use of common myths and legends being a weakening influence.
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It is a mistake to fancy that horror is associated inextricably with darkness, silence, and solitude.
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There be those who say that things and places have souls, and there be those who say they have not; I dare not say, myself, but I will tell of The Street.
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Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.
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Heaven knows where I’ll end up – but it’s a safe bet that I’ll never be at the top of anything! Nor do I particularly care to be.
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All of my tales are based on the fundamental premise that common human laws and emotions have no validity or significance in the cosmos-at-large.
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To me, there is nothing but puerility in a tale in which the human form – and local human passions and conditions and standards – are depicted as native to other worlds and universes.
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Never should an unfamiliar word be passed over without elucidation, for, with a little conscientious research, we may each day add to our conquests in the realm of philology and become more and more ready for graceful independent expression.
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I am well-nigh resolv’d to write no more tales but merely to dream when I have a mind to, not stopping to do anything so vulgar as to set down the dream for a boarish Publick.
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But are not the dreams of poets and the tales of travellers notoriously false?
H. P. LOVECRAFT






