“All of my tales are based on the fundamental premise that common human laws and emotions have no validity or significance in the cosmos-at-large.”

Heaven knows where I’ll end up – but it’s a safe bet that I’ll never be at the top of anything! Nor do I particularly care to be.

Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.

It would not be amiss for the novice to write the last paragraph of his story first, once a synopsis of the plot has been carefully prepared – as it always should be.

That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.

Cosmic terror appears as an ingredient of the earliest folklore of all races and is crystallised in the most archaic ballads, chronicles, and sacred writings.

Orthodox Christianity, by playing upon the emotions of man, is able to accomplish wonders toward keeping him in order and relieving his mind. It can frighten or cajole him away from evil more effectively than could reason.

Searchers after horror haunt strange, far places.

I am not very proud of being an human being; in fact, I distinctly dislike the species in many ways. I can readily conceive of beings vastly superior in every respect.

Horrors, I believe, should be original – the use of common myths and legends being a weakening influence.

But are not the dreams of poets and the tales of travellers notoriously false?

Fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions.

If I could create an ideal world, it would be an England with the fire of the Elizabethans, the correct taste of the Georgians, and the refinement and pure ideals of the Victorians.

Toil without song is like a weary journey without an end.

Children, old crones, peasants, and dogs ramble; cats and philosophers stick to their point.

I could not write about ‘ordinary people’ because I am not in the least interested in them.

Adulthood is hell.

You can find the entire cosmos lurking in its least remarkable objects.

Somewhere out there the world must have an end.

A situation is always comic if it participates simultaneously in two series of events which are absolutely independent of each other, and if it can be interpreted in two quite different meanings.

Let me gaze deeper into your eyes and thank the cosmos in disguise.

One may understand the cosmos, but never the ego; the self is more distant than any star.

To the dumb question, ‘Why me?’ the cosmos barely bothers to return the reply, ‘Why not?’

The cosmos deals in the currency of emotion. When we feel good, goodness flows.

In my stillness I am the eternal possibility. In my movement I am the cosmos.