“I could not write about ‘ordinary people’ because I am not in the least interested in them.”

Unhappy is he to whom the memories of childhood bring only fear and sadness.

I have no illusions concerning the precarious status of my tales and do not expect to become a serious competitor of my favorite weird authors.

The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.

Heaven knows where I’ll end up – but it’s a safe bet that I’ll never be at the top of anything! Nor do I particularly care to be.

Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.

It would not be amiss for the novice to write the last paragraph of his story first, once a synopsis of the plot has been carefully prepared – as it always should be.

That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.

Cosmic terror appears as an ingredient of the earliest folklore of all races and is crystallised in the most archaic ballads, chronicles, and sacred writings.

Orthodox Christianity, by playing upon the emotions of man, is able to accomplish wonders toward keeping him in order and relieving his mind. It can frighten or cajole him away from evil more effectively than could reason.

Searchers after horror haunt strange, far places.

I am not very proud of being an human being; in fact, I distinctly dislike the species in many ways. I can readily conceive of beings vastly superior in every respect.

Horrors, I believe, should be original – the use of common myths and legends being a weakening influence.

But are not the dreams of poets and the tales of travellers notoriously false?

Fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions.

If I could create an ideal world, it would be an England with the fire of the Elizabethans, the correct taste of the Georgians, and the refinement and pure ideals of the Victorians.

Toil without song is like a weary journey without an end.