“So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!”

Actually I like working kind of fast, because if you got it, why bother doing it over and over?

It’s exciting to be with really, really good people. Some people make you feel like you’ve got to up your game.

I like the tragedies way more than the comedies because they’re so universal.

I don’t avoid anyone but I always think some people hate me.

I wouldn’t do my roles if I really hated it. I’ve done things I hated, but I didn’t go into them thinking I would hate them. I want to have fun. I don’t want to go to work and not enjoy it.

I’ve actually found – especially doing my cabaret show – I’m connecting with people in a way I haven’t connected with them. I’ve found that when you’re open and honest, people respond to that, whatever you’re being open and honest about.

He … knew, in that instant, that his life would not be an easy one-he was different, he looked different, he thought differently.

If they’re not seeing that their society sees gay people as equals, how could you tell them what they’re doing is wrong?

I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it’s interesting that there’s this gaping hole in the repertoire in the American theater, which is Shakespeare.

So the experts think we could have an AIDS-free generation in Africa by 2015, even if the mothers are positive.

Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety’s not my forte.

In my first year at drama school, I did this kids’ show called ‘Let’s See.

I think people deny themselves by putting themselves into categories.

Once in a while it’s good to challenge yourself in a way that’s really daunting.

It’s interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That’s what I mean. Also, of course, it means that I’m slightly setting up the audience that there’s a bit of fun involved, as well.

Sometimes people do you a favour when they drop out of your life.

I went to my agent and told them, ‘I want to be on another Disney show.’

I was influenced when I was younger by the cartoon movies that Disney put out, like Cinderella and what not.

I decided that I wanted to be a voice on every animated cartoon in the history of the world – even shows that haven’t been on the air for a very long time, that’s going to be harder to pull off.

I don’t want to hear about this train being derailed! What happened to ‘The Flintstones’?’

A lot of my cartoon voices are basically just variations on my natural voice.

Almost every cartoonist, when he’s sitting down to draw a funny face.

A good analogy [Charlie Hebdo] in lots of ways is “South Park” – the hugely popular American cartoon show – and the things that the “South Park” creators have created, like “The Book Of Mormon,” the Broadway musical.

I want to make my own animes.