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The greatest works of art speak to us without knowing us.

Alain de Botton

Man seems merely dust postponed: the sublime as an encounter – pleasurable, intoxicating, even – with human weakness in the face of strength, age and size of the universe.
ALAIN DE BOTTON

Encounter Human Intoxicate Man Merely Pleasurable Postpone Seem Sublime Weakness
Work finally begins when the fear of doing nothing exceeds the fear of doing it badly.
ALAIN DE BOTTON

Badly Begin Exceed Fear Finally Nothing
Every adult life could be said to be defined by two great love stories: the story of our quest for sexual love and the story of our quest for love from the world.
ALAIN DE BOTTON

Define Every Adult Great Love Quest Sexual Story
Paying tax should be framed as a glorious civic duty worthy of gratitude – not a punishment for making money.
ALAIN DE BOTTON

Civic Duty Frame Glorious Gratitude Make Money Pay Punishment Tax Worthy
These inventors were elevating the formulation of entrepreneurial ideas to the status of a visionary activity. Though forced to justify their efforts in the pragmatic language of venture capital, they were at heart utopian thinkers intent on transforming the world.
ALAIN DE BOTTON

Activity Elevate Entrepreneur Force Formulation Ide Intent Inventor Vision World
We need a home in the psychological sense as much as we need one in the physical: to compensate for a vulnerability.
ALAIN DE BOTTON

Compensate Home Much Need Physical Psychological Vulnerability
I am in general a very pessimistic person with an optimistic, day to day take on things. The bare facts of life are utterly terrifying. And yet, one can laugh. Indeed, one has to laugh precisely because of the darkness: the nervous laughter of the trenches.
ALAIN DE BOTTON

Day General Life Optimistic Person Pessimistic Take Terrific Thing
A successful work will draw out the features capable of exciting a sense of beauty and interest in the spectator.
ALAIN DE BOTTON

Beauty Capable Excite Feature Sense Spectator Successful Work
It is perhaps sad books that best console us when we are sad.
ALAIN DE BOTTON

Book Console Perhaps Sad
The problem is if you really believe in a society where those who merit to get to the top, get to the top, you’ll also, by implication … believe in a society where those who deserve to get to the bottom also get to the bottom and stay there.
ALAIN DE BOTTON

Belief Implication Merit Problem Really Society Top
We are presented with an unpleasant choice between either committing to peculiar concepts about immaterial deities or letting go entirely of a host of consoling, subtle or just charming rituals for which we struggle to find equivalents in secular society.
ALAIN DE BOTTON

Demonic Present Secular Society Struggle Unpleasant Virtue
The mind may be reluctant to think properly when thinking is all it is supposed to do; the task can be as paralysing as having to tell a joke or mimic an accent on demand.
ALAIN DE BOTTON

Mimic Mind Paralyse Properly Recusant Suppose Think
Though it may feel otherwise, enjoying life is no more dangerous than apprehending it with continuous anxiety and gloom.
ALAIN DE BOTTON

Apprehend Continous Dangerous Enjoy Feel More Otherwise
A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
ALAIN DE BOTTON

Build Chain Change Connect Danger Information Necessary Receptivity See Thing Travel
Sweetness is the opposite of machismo, which is everywhere-and I really don’t get on with machismo. I’m interested in sensitivity, and weakness, and fear, and anxiety, because I think that, at the end of the day, behind our masks, that’s what we are.
ALAIN DE BOTTON

Everywhere Get Interest Kind Machine Machismo Opposite Really Sensitive Sweetness
When I see someone like Richard Dawkins, I see my father. I grew up with that. I’m basically the child of Richard Dawkins.
ALAIN DE BOTTON

Basically Child Father People See Someone

The greatest works of art speak to us without knowing us.

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The greatest works of art speak to us without knowing us.

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