It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
ALAIN DE BOTTONThe greatest works of art speak to us without knowing us.
More Alain de Botton Quotes
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What is fascinating about marriage is why anyone wants to get married.
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In a secularising world, art has replaced religion as a touchstone of our reverence and devotion.
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The blunt large questions become connected to smaller, apparently esoteric ones.
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Which seems no less relevant in the secular realm than in the religious one-that we have within us a precious, childlike, vulnerable core which we should nourish and nurture on its turbulent journey through life.
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The media insists on taking what someone didn’t mean to say as being far closer to the truth than what they did.
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There is a devilishly direct relationship between the significance of an idea and how nervous we become at the prospect of having to think about it.
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Wealth is not an absolute. It is relative to desire. Every time we yearn for something we cannot afford, we grow poorer, whatever our resources. And every time we feel satisfied with what we have, we can be counted as rich, however little we may actually possess.
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Everyone wants a better life: very few of us want to be better people.
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Our capacity to draw happiness from aesthetic objects or material goods in fact seems critically dependent on our first satisfying a more important range of emotional or psychological needs, among them the need for understanding, for love, expression and respect.
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I passionately believe that’s it’s not just what you say that counts, it’s also how you say it – that the success of your argument critically depends on your manner of presenting it.
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One of the unexpectedly important things that art can do for us is to teach us how to suffer more successfully.
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What kills us isn’t one big thing, but thousands of tiny obligations we can’t turn down for fear of disappointing others.
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One’s doing well if age improves even slightly one’s capacity to hold on to that vital truism: “This too shall pass.
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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
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How generous was it to offer gifts to people one knew would never accept them?
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