Memory is… similar to anticipation: an instrument of simplification and selection.
ALAIN DE BOTTONRather than employing it as a supplement to active, conscious seeing, they used the medium as a substitute, paying less attention to the world than they had done previously, taking it on faith that photography automatically assured them possession of it.
More Alain de Botton Quotes
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Bitterness: anger that forgot where it came from.
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We study biology, physics, movements of glaciers… Where are the classes on envy, feeling wronged, despair, bitterness.
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Everyone wants a better life: very few of us want to be better people.
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A notorious inability to express emotions makes human beings the only animals capable of suicide.
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One of the unexpectedly important things that art can do for us is to teach us how to suffer more successfully.
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One’s doing well if age improves even slightly one’s capacity to hold on to that vital truism: “This too shall pass.
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We read the weird tales in newspapers to crowd out the even weirder stuff inside us.
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Don’t despair: despair suggests you are in total control and know what is coming. You don’t – surrender to events with hope.
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Our responses to the world are crucially moulded by the company we keep, for we temper our curiosity to fit in with the expectations of others.
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We don’t really learn anything properly until there is a problem, until we are in pain, until something fails to go as we had hoped … We suffer, therefore we think.
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The attentions of others matter to us because we are afflicted by a congenital uncertainty as to our own value, as a result of which affliction we tend to allow others’ appraisals to play a determining role in how we see ourselves. Our sense of identity is held captive by the judgements of those we live among.
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What kills us isn’t one big thing, but thousands of tiny obligations we can’t turn down for fear of disappointing others.
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If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination.
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The happiness that may emerge from taking a second look is central to Proust’s therapeutic conception. It reveals the extent to which our dissatisfactions may be the result of failing to look properly at our lives rather than the result of anything inherently deficient about them.
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As victims of hurt, we frequently don’t bring up what ails us, because so many wounds look absurd in the light of day.
ALAIN DE BOTTON