“Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things”

A photograph is always invisible, it is not it that we see.

New York is a city of geometric heights, a petrified desert of grids and lattices, an inferno of greenish abstraction under a flat sky, a real Metropolis from which man is absent by his very accumulation.

I have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.

I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).

Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.

Every new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.

To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?

Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.

We don’t forget, but something vacant settles in us.

I love you is unsubtle. It removes explanations, facilities, degrees, scruples.

The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).

Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.

When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.

In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott’s psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.

Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.

All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.

Time is a funny thing- Flies fast, though constant it slows near large objects, black holes, and you.

Objects we ardently pursue bring little happiness when gained; most of our pleasures come from unexpected sources.

Education has for its object the formation of character.

Emergency rooms will be used the way they were intended to be used: not for primary care, but for when the average freaky American get some strange object up his ass.

It is the object of learning, not only to satisfy the curiosity and perfect the spirits of ordinary men, but also to advance civilization.

As long as the world shall last there will be wrongs, and if no man objected and no man rebelled, those wrongs would last forever.

The object of love is to serve, not to win.

If a man wants to objectify a woman, he will do it even if she’s clad from head to toe.