“When my mother got home from work, she would take me to the movies.”

Sometimes the only way you can get an audience is at an audition.

The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work.

There are many things my father taught me here in this room. He taught me: keep your friends close, but your enemies closer.

There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice.

When I was doing ‘Scarface,’ I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time.

I do believe, and I will always believe, that Shakespeare on film is really something that should be tried more often because it is an opportunity to take the humanity that Shakespeare writes into characters and express it.

My weaknesses… I wish I could come up with something.

If I find something and feel as though I can contribute to [it] in a way and feel I’m in it, whatever that means.

My movies are always being played on television, I’m very well known and all that stuff.

When you’re reading some of the great plays, when you do what I call “taking up with a writer,” something happens.

I’m not a violent person, never was, but I have this temperament that I’ve always displayed.

I never saw myself as a director. It’s certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.

[Marlon] Brando’s a giant on every level. When he acts it’s as if he landed from another planet. A planet where they produce great actors.

I don’t need bodyguards. I’m from the South Bronx.

If something is working, don’t fix it. Keep going. Go with the glow.

Or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?

Find the passion. It takes great passion and great energy to do anything creative. I would go so far as to say you can’t do it without that passion.

The artist never entirely knows. We guess. We may be wrong, but we take leap after leap in the dark.

I think ought to have more and correct some of the matters fate fails to take care of.

We forget that our bodies are the most valuable, precious thing we have and take that miracle of life for granted.

None of these situations are identical. You cannot take one set of issues from one country and apply it to another.

What we take for vainglory, ambition, love of power and riches (or wealth), is often, indeed, a need to mask this emptiness, a need to let one’s hair down (or to live it up), to put oneself on a false scent or trail. (de se donner le change”, Fr.)

That’s why I want to speak to you now. To say: no person, trying to take responsibility for her or his identity, should have to be so alone.

It will take all your heart, it will take all your breath It will be short, it will not be simple