I haven’t encouraged [Julia Marie Pacino] or discouraged her. I let her go her own way.
AL PACINOTheir minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There’s a liberation in that.
More Al Pacino Quotes
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I don’t care if it’s a walk in the park, a look out the window, a good bubble bath – whatever. Even a meal you like, or a friend you want to call. That helps us solve all this stuff in our head.
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My grandfather was a provider. Work, any kind of work, was the joy of his life.
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I’m naturally shy but I’ve done this [movie Salomaybe] so much and you get better at it than you would think.
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I’ve had very deep relationships that lasted for long periods of time with people.
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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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I was never very happy with performing; it didn’t turn me on much.
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You try to maintain a neutral approach to your work, and not be too hard on yourself.
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At this point in my career, I don’t have to deal with audition rejections. So I get my rejection from other things.
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You sharpen the human appetite to the point where it can split atoms with its desire; you build egos the size of cathedrals; fiber-optically connect the world to every eager impulse.
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The actor becomes an emotional athlete. The process is painful – my personal life suffers.
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I’ve always been a bit squeamish when it came to that kind of thing.
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Shakespeare’s plays are more violent than ‘Scarface.’
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I’m expressing something that I feel is a way to exercise my talent and help communicate a role as a human being in a movie, I will do that.
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It had a tremendous influence on my becoming an actor.
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I’m an actor, not a star. Stars are people who live in Hollywood and have heart-shaped swimming pools.
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I turned down a lot of films before I made my first one. I knew that it was time for me to get into movies.
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One of the things that made me want to be an actor more than ever was seeing a Chekhov play, “The Sea Gull,” when was 14 in the Bronx.
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If you have the opportunity to meet someone as an actor, it’s just great fodder for you. It’s wonderful source stuff that we die for.
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It’s not personal, it’s strictly business
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[Oscar Wilde’s Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that’s why I guess it’s semi-autobiographical.
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There is something to the repeats. I think that is part of what is healthy to young actors. Get out and learn something just through doing that, repeating.
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Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions.
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I come from the South Bronx – a true descendant of the melting pot. I grew up in a really mixed neighborhood; it was a very integrated life.
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I don’t regret anything. I feel like I’ve made what I would call mistakes.
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Early on in my career, I remember running – fleeing – to the theater as a way of coping with all the meshugaas that was going on for me.
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What’s this thing that gets between us and Shakespeare?
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