I think what you see [in Salome the play backstage] is an artist having this fit of temperament.
AL PACINOWhat’s this thing that gets between us and Shakespeare?
More Al Pacino Quotes
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If I find something and feel as though I can contribute to [it] in a way and feel I’m in it, whatever that means.
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When you do these things, you sort of take the journey. The journey is all about how I can interweave the Oscar Wilde story.
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Grease even the dullest dreams with these dollar-green, gold-plated fantasies, until every human becomes an aspiring emperor, becomes his own God… and where can you go from there?
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I used to think of myself as a comedian. I’ve always admired comedians.
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I just wondered how it would feel, how people would treat her, but she’s adjusted so marvelously.
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I don’t regret anything. I feel like I’ve made what I would call mistakes.
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When I was a younger actor, I would try to keep it serious all day. But I have found, later on, that the lighter I am about things when I’m going to do a big scene that’s dramatic and takes a lot out of you, the better off I am when I come to it.
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[Marlon] Brando’s a giant on every level. When he acts it’s as if he landed from another planet. A planet where they produce great actors.
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires.
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Women have always had equal importance onstage, and working with them must have altered my sensibilities.
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I want to be interesting in an interview just as much as I want to do well in a part.
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I’m so shy now I wear sunglasses everywhere I go.
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Really, I didn’t know my dad very well. He and my mother split up after the war. I was raised by my maternal grandmother and grandfather, and by my mother.
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I’m constantly striving to break through to something new.
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[Ocean’s Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids.
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I found they took a lot out of you and they were exhausting for me in a lot of ways.
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I didn’t go for the needle at all. I never cared for drugs, because I saw what they did to most people. I thought that was the end of the road.
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Many years ago, in the late ’70s, I toured colleges along the East Coast and I presented a kind of show where I got a lot of books and poetry and pieces of [William] Shakespeare and other writers that I admire.
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The truth is, you know, we need our anodynes. You know that word, anodynes? We need that in life some times.
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I thought it was time to show some of it, to show some of my feelings about things and what I preferred at the time. I prefer them still but not to the extent I did at the time.
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Responsibilities are relative. My responsibility is to a character in a script, to a part I’m playing.
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I probably write a poem every 50 years.
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Actors are always outsiders. It’s necessary to be able to interpret – and that gets distorted when you become famous.
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My dad was in the army. World War II. He got his college education from the army. After World War II he became an insurance salesman.
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I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they’ll pay attention long enough to consume it.
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The play will invariably be different and stronger, and much more fulfilling and richer on all counts. There’s no doubt in my mind about it.
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