“I want to be interesting in an interview just as much as I want to do well in a part.”

So I’ve been doing everything that has to do with being next to them, close to them.

[Julie Marie Pacino]is a great ballplayer, which I wanted to be. She did make four films by the time she was 14 but we’re not going to talk about that.

I picked the wrong movie, or I didn’t pursue a character, but everything you do is part of you and you get something from it.

The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires.

The stage is different ; there’s more to act. There are more demands put on you, more experiences to go through.

I am a dancer. But I don’t think I would be on ‘Dancing with the Stars,’ mainly because I would be too shy.

Take a look at Israel’s history and you would know who the terrorist is.

They cost nothing, and they can be as real as you like to make them. You own your dreams and they are priceless.

Except if something was maybe a play on television or some great television script.

You try to maintain a neutral approach to your work, and not be too hard on yourself.

You need some insecurity if you’re an actor. It keeps the pot boiling. I haven’t yet started to think about retiring.

I’d probably have the same pause if you asked me what my strengths are. Maybe they’re the same thing.

It was a compromise. There was a sense that I could write my own memoirs, and Larry [Grobel] would help me down the line, or maybe not, maybe he was too close to me.

I probably write a poem every 50 years.

I’m an actor, and everything about me – the way I perceive things, the way I have seen the world – has been in relation to characters and how I would want to play something or not play it.

My early career was a real rush of movies and stardom – it was almost overwhelming.

Seeing much, suffering much, and studying much, are the three pillars of learning.

I don’t care too much what happened in the past.

Hatred is gained as much by good works as by evil.

I don’t very much enjoy looking at paintings in general. I know too much about them. I take them apart.

I can’t afford to die; I’d lose too much money.

I tell everybody, I get so much because I give so much. I give freely, I give all my time, give all my money, give all of my soul.

Too much of a good thing is just about right

I wasted a lot of my talent in the ’90s because the money was so big, and I was making so much money,