It was a compromise. There was a sense that I could write my own memoirs, and Larry [Grobel] would help me down the line, or maybe not, maybe he was too close to me.
AL PACINOSometimes you feel critics are wrong all the time, but I don ‘t take objection to it, because that’s the way it goes. They can be wrong, they can be right. They can be cruel, they can be kind.
More Al Pacino Quotes
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The story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I’m struggling with.
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If you can identify with people, you can empathize with people and therefore you understand things.
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You could almost call them marriages, even though I didn’t marry. But it was costly.
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I destroy it because it’s no longer coming from my unconscious.
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When I was doing ‘Scarface,’ I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time.
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It had a tremendous influence on my becoming an actor.
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[Marlon] Brando’s a giant on every level. When he acts it’s as if he landed from another planet. A planet where they produce great actors.
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[Oscar Wilde’s Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that’s why I guess it’s semi-autobiographical.
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Grease even the dullest dreams with these dollar-green, gold-plated fantasies, until every human becomes an aspiring emperor, becomes his own God… and where can you go from there?
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All I am is what I’m going after.
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Pretty soon I’ll start worrying about [my fame] because [my children] carry my name and they have that exposure.
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Shakespeare’s plays are more violent than ‘Scarface.’
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Sometimes you feel critics are wrong all the time, but I don ‘t take objection to it, because that’s the way it goes. They can be wrong, they can be right. They can be cruel, they can be kind.
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I understand it on a superficial level, but the depth of it just boggles my mind. I think it’s probably the greatest of all speeches ever written.
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Being the actors of the craft, the trade, one of the big things you do and you learn is about repeating.
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Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.
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I like, for instance, ‘Serpico.’ I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could – I could embody him. I could, you know.
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You’ll never be alone if you’ve got a book.
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When you perform with a live audience, the audience comes back to you.
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People are always asking me to do Shakespeare – at home, at colleges, on film locations, in restaurants. It’s like playing a piece of music, getting all the notes. It’s great therapy.
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The whole thing is, they never asked for it, that kingdom.
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What he does with it, that’s something else, but he’s got it all. The talent, the instrument is there, that’s why he has endured.
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Sometimes what we imagine and the world aren’t different things.
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If you get all tangled up, just tango on.
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When you’re acting for a camera, it keeps taking and never giving back.
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I don’t like a lot of things like [Iraq], I never did. Being in a position of celebrity and having your words carry such unnatural weight…
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