I do not believe what I see on television. I believe a percentage of it, so it’s hard for me to discern. I don’t like what it’s doing to the world.
AL PACINOGrease even the dullest dreams with these dollar-green, gold-plated fantasies, until every human becomes an aspiring emperor, becomes his own God… and where can you go from there?
More Al Pacino Quotes
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All due respect, and trying to be as modest as I can be: I am a dancer.
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I think what you see [in Salome the play backstage] is an artist having this fit of temperament.
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You’re talking to him and all of a sudden, you say, “He’s puttin’ that in his cash register!”
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I always had this thing, when I was younger especially, I didn’t want to do movies that much.
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I destroy the painting as soon as I can see what it is. When I can make out something in it,
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And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
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Failure’s relative. I’ve always felt, even early on, if I lose the freedom to fail, something’s not right about that. It’s how you treat failure, too.
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I don’t care if it’s a walk in the park, a look out the window, a good bubble bath – whatever. Even a meal you like, or a friend you want to call. That helps us solve all this stuff in our head.
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An actor basically likes to be asked to do something, no matter what position he’s in. It feels more natural. Sitting and waiting is more gratifying.
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I put comedy as much as I can into all my movies, if I can help it.
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If you get all tangled up, just tango on.
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Sometimes they are the same exact thing.
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Did you know I started out as a stand-up comic? People don’t believe me when I tell them. That’s how I saw myself, in comedy.
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I understand it on a superficial level, but the depth of it just boggles my mind. I think it’s probably the greatest of all speeches ever written.
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Waiting around and doing these lines over and over and finally having to go in and loop the lines and dub them.
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I want to be a great actor someday, and I’ve decided there’s no use philosophizing; the only way is to work at my craft.
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I can see [ talent or curiosity for acting] in my oldest daughter [Julia Marie Pacino]. I don’t know how long she’ll run away from it, but it’s there in her.
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If I was a painter no one would question me about my age. I’m an artist, I hate saying that.
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I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there’s a movie.
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The thing that can get you a little upset is when people say other people are better than you. That can bug you.
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Sometimes what we imagine and the world aren’t different things.
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There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice.
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I found that speaking live to people, young people, about what I liked and what had been happening to me was very good for me.
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The truth is, you know, we need our anodynes. You know that word, anodynes? We need that in life some times.
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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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Without coffee something’s missing
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