Vanity: my favorite sin.
AL PACINOI like, for instance, ‘Serpico.’ I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could – I could embody him. I could, you know.
More Al Pacino Quotes
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Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.
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Women have always had equal importance onstage, and working with them must have altered my sensibilities.
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It’s never really that much fun for me to do movies anyway, because you – you know, you have to get up very early in the morning and you have to go in and you spend a lot of time waiting around.
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I do not believe what I see on television. I believe a percentage of it, so it’s hard for me to discern. I don’t like what it’s doing to the world.
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What he does with it, that’s something else, but he’s got it all. The talent, the instrument is there, that’s why he has endured.
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There are many things my father taught me here in this room. He taught me: keep your friends close, but your enemies closer.
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I guess it has to do with my tradition and being Italian, we’re very outgoing with our emotions.
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I didn’t know what I was going to do with my life. I just had a kind of energy, I was a fairly happy kid.
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I would say I am more concerned with the plays I’m going to do than the movies.
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My early career was a real rush of movies and stardom – it was almost overwhelming.
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I’ve never cared for guns. In fact, when I did ‘Scent of a Woman’ I had to learn how to assemble one.
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My movies are always being played on television, I’m very well known and all that stuff.
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It turned out that time doesn’t heal the wound , but in its so merciful way , blunts the edges ever so slightly
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The literal, basic thing of the stage is really like a magnet. It brings me back to earth.
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When I was doing ‘Scarface,’ I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they’re not used to?
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[Marlon] Brando’s a giant on every level. When he acts it’s as if he landed from another planet. A planet where they produce great actors.
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My own celebrity, my own life. This is semi-autobiographical in terms of my commitment to this kind of thing.
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Actors are always outsiders. It’s necessary to be able to interpret – and that gets distorted when you become famous.
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I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they’ll pay attention long enough to consume it.
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That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
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I’m an actor, not a star. Stars are people who live in Hollywood and have heart-shaped swimming pools.
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I’ve often said there’s two kinds of actors. There’s a more gregarious type and the shy type.
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The story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I’m struggling with.
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So I’ve been doing everything that has to do with being next to them, close to them.
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I can see [ talent or curiosity for acting] in my oldest daughter [Julia Marie Pacino]. I don’t know how long she’ll run away from it, but it’s there in her.
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