The difference between the actor and the painter is that the actor would buy somebody a knish in order to have them watch him act.
AL PACINOI try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there’s a movie.
More Al Pacino Quotes
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Waiting around and doing these lines over and over and finally having to go in and loop the lines and dub them.
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Women have always had equal importance onstage, and working with them must have altered my sensibilities.
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Brian De Palma, standing there alone by the surf and they were all waiting for him. And I never forgot that because it represented to me what a director is, what a director does.
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Certainly the movies were always in the air for me. I come from the era when actors thought it was a big deal to be in the movies.
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And I didn’t think about the material as much. But sometimes I’ve thought about the material a lot and thought I was doing the right thing, and it didn’t work out.
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You’re talking to him and all of a sudden, you say, “He’s puttin’ that in his cash register!”
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I did say to her that I thought that she had a real gift, and it’s a good idea to know that. It’s always good to go with your gift.
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I’ve always been a bit squeamish when it came to that kind of thing.
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A good warm bath can be one for you, or a whatever.
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I want to be interesting in an interview just as much as I want to do well in a part.
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Or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?
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I’ve often said there’s two kinds of actors. There’s a more gregarious type and the shy type.
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What kind of failure was it? A failure because it’s misunderstood by others? A failure because you misunderstood it yourself?
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sometimes it’s better to be with the devil u know than the angel u didn’t know
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My early career was a real rush of movies and stardom – it was almost overwhelming.
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I found they took a lot out of you and they were exhausting for me in a lot of ways.
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My children can make me feel rejected. They can humble you pretty quick.
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I’ve never cared for guns. In fact, when I did ‘Scent of a Woman’ I had to learn how to assemble one.
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In America most everybody who’s Italian is half Italian. Except me. I’m all Italian. I’m mostly Sicilian, and I have a little bit of Neapolitan in me. You get your full dose with me.
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Romantic love can be a lot of crap, though, let me tell you. And it can hurt you.
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[Oscar Wilde’s Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that’s why I guess it’s semi-autobiographical.
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I used to think of myself as a comedian. I’ve always admired comedians.
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I understand it on a superficial level, but the depth of it just boggles my mind. I think it’s probably the greatest of all speeches ever written.
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I like, for instance, ‘Serpico.’ I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could – I could embody him. I could, you know.
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If something is working, don’t fix it. Keep going. Go with the glow.
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The play will invariably be different and stronger, and much more fulfilling and richer on all counts. There’s no doubt in my mind about it.
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