Anybody who cares about what he does takes risks.
AL PACINOThere was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice.
More Al Pacino Quotes
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they’re not used to?
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I don’t regret anything. I feel like I’ve made what I would call mistakes.
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My grandfather was a provider. Work, any kind of work, was the joy of his life.
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All I am is what I’m going after.
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I do believe, and I will always believe, that Shakespeare on film is really something that should be tried more often because it is an opportunity to take the humanity that Shakespeare writes into characters and express it.
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You’re going to get a sense of what the hell’s going on there. Boy, you’ll wake up fast when bullets are flying over your head.
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And I didn’t think about the material as much. But sometimes I’ve thought about the material a lot and thought I was doing the right thing, and it didn’t work out.
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They say we die twice – once when the last breath leaves our body and once when the last person we know says our name.
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I don’t think actors should ever expect to get a role, because the disappointment is too great.
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I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.
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Great directors can understand the staging in such a way that can make a scene come alive. Others have a certain way of pacing the scene.
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A good warm bath can be one for you, or a whatever.
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[Julie Marie Pacino]is a great ballplayer, which I wanted to be. She did make four films by the time she was 14 but we’re not going to talk about that.
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I was playing a part of someone dealing dope on a street corner – and there was a guy actually dealing heroin right there. I looked at him, he looked at me, and I got real confused.
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A lot of acting is private time.
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It’s very evocative; it’s like a first cut because you hear ‘She walked to the door,’ and you visualize all these things. ‘She opens the door’ . . . because you read the stage directions, too.
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I’m an actor, and everything about me – the way I perceive things, the way I have seen the world – has been in relation to characters and how I would want to play something or not play it.
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Opinions I have about anything are in my personal life.
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Either we heal now, as a team, or we will die as individuals.
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Romantic love can be a lot of crap, though, let me tell you. And it can hurt you.
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There are a lot of roles in Shakespeare, basically. If I feel that the script is a movie, I would be interested in doing any role of Shakespeare’s.
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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
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[Ocean’s Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids.
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I destroy the painting as soon as I can see what it is. When I can make out something in it,
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A lot of actors choose parts by the scripts, but I don’t trust reading the scripts that much.
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What he does with it, that’s something else, but he’s got it all. The talent, the instrument is there, that’s why he has endured.
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