I’m always on a red carpet . . . the other day I thought, this ain’t bad. You can meet people on it.
AL PACINOThere are many things my father taught me here in this room. He taught me: keep your friends close, but your enemies closer.
More Al Pacino Quotes
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I had it on scraps of paper and the maid threw it out.
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I destroy the painting as soon as I can see what it is. When I can make out something in it,
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The literal, basic thing of the stage is really like a magnet. It brings me back to earth.
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What kind of failure was it? A failure because it’s misunderstood by others? A failure because you misunderstood it yourself?
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If you can identify with people, you can empathize with people and therefore you understand things.
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People are always asking me to do Shakespeare – at home, at colleges, on film locations, in restaurants. It’s like playing a piece of music, getting all the notes. It’s great therapy.
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If you have the opportunity to meet someone as an actor, it’s just great fodder for you. It’s wonderful source stuff that we die for.
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There are a lot of roles in Shakespeare, basically. If I feel that the script is a movie, I would be interested in doing any role of Shakespeare’s.
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I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they’ll pay attention long enough to consume it.
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Freedom, baby, is never having to say youre sorry.
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Except if something was maybe a play on television or some great television script.
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Many years ago, in the late ’70s, I toured colleges along the East Coast and I presented a kind of show where I got a lot of books and poetry and pieces of [William] Shakespeare and other writers that I admire.
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Our life is looking forward or looking back, that’s it. Where is the moment?
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Did you know I started out as a stand-up comic? People don’t believe me when I tell them. That’s how I saw myself, in comedy.
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If I find something and feel as though I can contribute to [it] in a way and feel I’m in it, whatever that means.
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When you’re reading some of the great plays, when you do what I call “taking up with a writer,” something happens.
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I haven’t encouraged [Julia Marie Pacino] or discouraged her. I let her go her own way.
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There is only one way of surviving all the early heartbreaks in this business. You must have a sense of humor. And I think it also helps if you are a dreamer. I had my dreams all right. And that is something no one can ever take away.
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The truth is, you know, we need our anodynes. You know that word, anodynes? We need that in life some times.
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Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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When you perform with a live audience, the audience comes back to you.
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[Ocean’s Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids.
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Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There’s a liberation in that.
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You take a guy like George Clooney who goes out there to Darfur, and gets things done! That’s magical. He’s done a great thing.
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It surprised me, the feeling I got when I won the Oscar for ‘Scent of a Woman.’ It was a new feeling. I’d never felt it.
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My grandfather was a provider. Work, any kind of work, was the joy of his life.
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