I’ve often said there’s two kinds of actors. There’s a more gregarious type and the shy type.
AL PACINOI understand the directors much more. I was always rebelling against them when I was a youngster, I didn’t want to be told what to do. I had no identification.
More Al Pacino Quotes
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I was never very happy with performing; it didn’t turn me on much.
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I don’t like what’s going on in Iraq, naturally. I’m part of a large majority of people who don’t, but I do not know the whole story.
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Failure’s relative. I’ve always felt, even early on, if I lose the freedom to fail, something’s not right about that. It’s how you treat failure, too.
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Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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I like women who can cook. That’s first. Love is very important, but you’ve got to have a friend first.
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I was quite overtaken by success and fame. I was one of those types who responded to it in a negative way. It was not easy.
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Lee Strasberg is like that, my grandfather was like that. These are the kinds of men I’ve had close relationships with.
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Did you know I started out as a stand-up comic? People don’t believe me when I tell them. That’s how I saw myself, in comedy.
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Great directors can understand the staging in such a way that can make a scene come alive. Others have a certain way of pacing the scene.
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I was watching Revolution, and the things I did in that picture, holy smokes! I can’t believe I did that, it’s like another person. It’s the thought of it, it’s just appalling to me.
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I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.
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I used to say I wanted to genuflect to a woman, put her up on a pedestal higher and higher, way up beyond my grasp…Then I’d find another one.
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I could work and get to know him and have him help me with the text, the script and become him. It’s almost like a painter having a model to become.
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Shakespeare is one of the reasons I’ve stayed an actor. Sometimes I spend full days doing Shakespeare by myself, just for the joy of reading it, saying those words.
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Read it to the class and then afterward we would talk and I would answer questions. It was really a way of expressing and finding out about where I was at that particular time, so it was very therapeutic for me.
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All I am is what I’m going after.
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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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When I was a younger actor, I would try to keep it serious all day. But I have found, later on, that the lighter I am about things when I’m going to do a big scene that’s dramatic and takes a lot out of you, the better off I am when I come to it.
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It had a tremendous influence on my becoming an actor.
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Chekhov was as important to me as anybody as a writer.
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On any given Sunday you’re gonna win or you’re gonna lose. The point is — can you win or lose like a man?
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[Marlon] Brando’s a giant on every level. When he acts it’s as if he landed from another planet. A planet where they produce great actors.
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It turned out that time doesn’t heal the wound , but in its so merciful way , blunts the edges ever so slightly
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They cost nothing, and they can be as real as you like to make them. You own your dreams and they are priceless.
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My first language was shy. It’s only by having been thrust into the limelight that I have learned to cope with my shyness.
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What kind of failure was it? A failure because it’s misunderstood by others? A failure because you misunderstood it yourself?
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