An actor basically likes to be asked to do something, no matter what position he’s in. It feels more natural. Sitting and waiting is more gratifying.
AL PACINOI don’t care if it’s a walk in the park, a look out the window, a good bubble bath – whatever. Even a meal you like, or a friend you want to call. That helps us solve all this stuff in our head.
More Al Pacino Quotes
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Brian De Palma, standing there alone by the surf and they were all waiting for him. And I never forgot that because it represented to me what a director is, what a director does.
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You’ve got to think of things as an opportunity. An audition’s an opportunity to have an audience.
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I don’t feel like a person who takes risks. Yet there’s something within me that must provoke controversy because I find it wherever I go.
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The story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I’m struggling with.
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I come from the South Bronx – a true descendant of the melting pot. I grew up in a really mixed neighborhood; it was a very integrated life.
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Love goes through different stages. But it endures.
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When I was younger, I would go to auditions to have the opportunity to audition, which would mean another chance to get up there and try out my stuff.
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If you have the opportunity to meet someone as an actor, it’s just great fodder for you. It’s wonderful source stuff that we die for.
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Lee Strasberg is like that, my grandfather was like that. These are the kinds of men I’ve had close relationships with.
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I went back to the stage because it was my way of dealing with the success I had, my way of coping.
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Great directors can understand the staging in such a way that can make a scene come alive. Others have a certain way of pacing the scene.
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I had it on scraps of paper and the maid threw it out.
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The truth is, you know, we need our anodynes. You know that word, anodynes? We need that in life some times.
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Many years ago, in the late ’70s, I toured colleges along the East Coast and I presented a kind of show where I got a lot of books and poetry and pieces of [William] Shakespeare and other writers that I admire.
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The literal, basic thing of the stage is really like a magnet. It brings me back to earth.
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It surprised me, the feeling I got when I won the Oscar for ‘Scent of a Woman.’ It was a new feeling. I’d never felt it.
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Sometimes you’re fighting corporations and forget that people can talk to each other.
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Grease even the dullest dreams with these dollar-green, gold-plated fantasies, until every human becomes an aspiring emperor, becomes his own God… and where can you go from there?
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Did you know I started out as a stand-up comic? People don’t believe me when I tell them. That’s how I saw myself, in comedy.
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I probably write a poem every 50 years.
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It was her way of getting out, and she would take me with her. I’d go home and act all the parts.
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I love work because it keeps sex in perspective. Otherwise, it can become a preoccupation.
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At this point in my career, I don’t have to deal with audition rejections. So I get my rejection from other things.
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You’ll never be alone if you’ve got a book.
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We’re charlatans in a way, we’re magic people. Part of the behind the scenes stuff is to loosen you up, to make you feel that you are experiencing this. This is my style.
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I’ve often said there’s two kinds of actors. There’s a more gregarious type and the shy type.
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