Responsibilities are relative. My responsibility is to a character in a script, to a part I’m playing.
AL PACINOGreat directors can understand the staging in such a way that can make a scene come alive. Others have a certain way of pacing the scene.
More Al Pacino Quotes
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Forget the career, do the work. If you feel what you are doing is on line and you’re going someplace and you have a vision and you stay with it, eventually things will happen.
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The physical stamina [in Revolution]. I was just shocked by it. I didn’t think I had it in me ever, and I wasn’t terribly young when I did it. I was in my early forties.
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They cost nothing, and they can be as real as you like to make them. You own your dreams and they are priceless.
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You’re in a conversation and everybody’s agreeing with what you’re saying – even if you say something totally crazy. You need people who can tell you what you don’t want to hear.
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You’ll never be alone if you’ve got a book.
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I always tell the truth. Even when I lie.
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I believe in one day at a time; you’ve got TODAY, that’s what you’ ve got.
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So I’ve been doing everything that has to do with being next to them, close to them.
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The fruit falls off the tree. You don’t shake it off before it’s ready to fall.
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Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.
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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
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[Marlon] Brando’s a giant on every level. When he acts it’s as if he landed from another planet. A planet where they produce great actors.
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I found they took a lot out of you and they were exhausting for me in a lot of ways.
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When you perform with a live audience, the audience comes back to you.
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There are people whose sense of reality is very strong, who have a sense of honesty.
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Anybody who cares about what he does takes risks.
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[Ocean’s Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids.
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I have a life and do a lot of things, and so far my work has been my life.
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Women have always had equal importance onstage, and working with them must have altered my sensibilities.
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[Oscar Wilde’s Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that’s why I guess it’s semi-autobiographical.
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Sometimes the only way you can get an audience is at an audition.
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I put comedy as much as I can into all my movies, if I can help it.
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Lee Strasberg is like that, my grandfather was like that. These are the kinds of men I’ve had close relationships with.
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The difference between the actor and the painter is that the actor would buy somebody a knish in order to have them watch him act.
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I’m expressing something that I feel is a way to exercise my talent and help communicate a role as a human being in a movie, I will do that.
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And I didn’t think about the material as much. But sometimes I’ve thought about the material a lot and thought I was doing the right thing, and it didn’t work out.
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