Any project that I find encouraging that isn’t attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
AL PACINOI destroy it because it’s no longer coming from my unconscious.
More Al Pacino Quotes
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The actor becomes an emotional athlete.
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To me, it’s not who you love… a man, a woman, what have you… it’s the fact that you love. That is all that truly matters.
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On any given Sunday you’re gonna win or you’re gonna lose. The point is — can you win or lose like a man?
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“What was that, George, what were you doing?” And he said, “They were sleeping.” You’re always trying to catch them.
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All I am is what I’m going after.
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You’ve got to think of things as an opportunity. An audition’s an opportunity to have an audience.
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I did say to her that I thought that she had a real gift, and it’s a good idea to know that. It’s always good to go with your gift.
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I don’t think actors should ever expect to get a role, because the disappointment is too great.
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We were doing Scarface many years ago…and I remember having my coffee and looking at the beach, the surf, and I saw a hundred people looking out into the ocean.
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There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice.
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That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
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I had these little babies [my twins] and it gave me something so spectacular, such a feeling – I was so turned on and so excited by them that I wrote a poem.
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When I was a younger actor, I would try to keep it serious all day. But I have found, later on, that the lighter I am about things when I’m going to do a big scene that’s dramatic and takes a lot out of you, the better off I am when I come to it.
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Larry Grobel has the illness of all writers, he can’t help himself.
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Take a look at Israel’s history and you would know who the terrorist is.
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If you have the opportunity to meet someone as an actor, it’s just great fodder for you. It’s wonderful source stuff that we die for.
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Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions.
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When I was younger, I would go to auditions to have the opportunity to audition, which would mean another chance to get up there and try out my stuff.
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They say we die twice – once when the last breath leaves our body and once when the last person we know says our name.
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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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I have a life and do a lot of things, and so far my work has been my life.
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It was her way of getting out, and she would take me with her. I’d go home and act all the parts.
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The whole thing is, they never asked for it, that kingdom.
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I don’t talk politics and I don’t talk philosophy or anything like that, but if you look at my work, you might get an expression of me as a person.
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I would say I am more concerned with the plays I’m going to do than the movies.
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You could almost call them marriages, even though I didn’t marry. But it was costly.
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