I understand it on a superficial level, but the depth of it just boggles my mind. I think it’s probably the greatest of all speeches ever written.
AL PACINOThe difference between the actor and the painter is that the actor would buy somebody a knish in order to have them watch him act.
More Al Pacino Quotes
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And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
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The literal, basic thing of the stage is really like a magnet. It brings me back to earth.
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The physical stamina [in Revolution]. I was just shocked by it. I didn’t think I had it in me ever, and I wasn’t terribly young when I did it. I was in my early forties.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they’re not used to?
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Take a look at Israel’s history and you would know who the terrorist is.
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I do believe, and I will always believe, that Shakespeare on film is really something that should be tried more often because it is an opportunity to take the humanity that Shakespeare writes into characters and express it.
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I don’t talk politics and I don’t talk philosophy or anything like that, but if you look at my work, you might get an expression of me as a person.
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Love is overrated. Biochemically no different than eating large quantities of chocolate
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I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.
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Love goes through different stages. But it endures.
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There was a time in my life when being dishonest with women was the natural way to be. I finally said, “Hey, I have to stop this silliness.”
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A lot of actors choose parts by the scripts, but I don’t trust reading the scripts that much.
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All I am is what I’m going after.
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The problem with me is, I guess, the way I express myself, you have to be with me 50 years before you can get a sense of what I’m talking about.
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It would be hard to play a character you don’t like – for me anyway – or can’t find something in them to like.
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[Julie Marie Pacino]is a great ballplayer, which I wanted to be. She did make four films by the time she was 14 but we’re not going to talk about that.
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One of the things that made me want to be an actor more than ever was seeing a Chekhov play, “The Sea Gull,” when was 14 in the Bronx.
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We live in a world where the more you’re working, the more things you do. It’s a workaday world.
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There is only one way of surviving all the early heartbreaks in this business. You must have a sense of humor. And I think it also helps if you are a dreamer. I had my dreams all right. And that is something no one can ever take away.
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Our life is looking forward or looking back, that’s it. Where is the moment?
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If I find something and feel as though I can contribute to [it] in a way and feel I’m in it, whatever that means.
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I was watching Revolution, and the things I did in that picture, holy smokes! I can’t believe I did that, it’s like another person. It’s the thought of it, it’s just appalling to me.
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[Oscar Wilde’s Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that’s why I guess it’s semi-autobiographical.
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When I was younger, I would go to auditions to have the opportunity to audition, which would mean another chance to get up there and try out my stuff.
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The camera can film my face but until it captures my soul, you don’t have a movie.
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To be really obvious about something, if somebody straps an M1 on your shoulder and throws you in Iraq.
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