Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.
AL PACINOThe camera can film my face but until it captures my soul, you don’t have a movie.
More Al Pacino Quotes
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The literal, basic thing of the stage is really like a magnet. It brings me back to earth.
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Being the actors of the craft, the trade, one of the big things you do and you learn is about repeating.
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Actors are always outsiders. It’s necessary to be able to interpret – and that gets distorted when you become famous.
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I think what you see [in Salome the play backstage] is an artist having this fit of temperament.
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I don’t think actors should ever expect to get a role, because the disappointment is too great.
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Many years ago, in the late ’70s, I toured colleges along the East Coast and I presented a kind of show where I got a lot of books and poetry and pieces of [William] Shakespeare and other writers that I admire.
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Look, but don’t touch. Touch, but don’t taste. Taste, but don’t swallow.
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Opinions I have about anything are in my personal life.
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I go all over the world, I have access to many things, many people, many places and it’s wonderful. But now I’m at a point where.
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There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice.
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I haven’t encouraged [Julia Marie Pacino] or discouraged her. I let her go her own way.
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Show me a bad script and I will show you a big payday.
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I don’t like a lot of things like [Iraq], I never did. Being in a position of celebrity and having your words carry such unnatural weight…
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I don’t care if it’s a walk in the park, a look out the window, a good bubble bath – whatever. Even a meal you like, or a friend you want to call. That helps us solve all this stuff in our head.
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Drinking and smoking grass were a part of my life as far back as I can remember.
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Sometimes the only way you can get an audience is at an audition.
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I’m always on a red carpet . . . the other day I thought, this ain’t bad. You can meet people on it.
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My grandfather was a provider. Work, any kind of work, was the joy of his life.
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It wasn’t until I got older that I realized acting was something I could really do.
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At one point he took the robes he was wearing and just started flipping them up in the air, out of nowhere. And later, an actor said to him.
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires.
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After looking at Salomaybe, I don’t know who the hell the real me is. I think it’s closest now to the real me because for one thing, I’m used to this.
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I had it on scraps of paper and the maid threw it out.
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Man is a little bit better than his reputation, and a little bit worse
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When you perform with a live audience, the audience comes back to you.
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The story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I’m struggling with.
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