“Or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?”

Really, I didn’t know my dad very well. He and my mother split up after the war. I was raised by my maternal grandmother and grandfather, and by my mother.

I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there’s a movie.

If you can identify with people, you can empathize with people and therefore you understand things.

Sometimes the only way you can get an audience is at an audition.

The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work.

There are many things my father taught me here in this room. He taught me: keep your friends close, but your enemies closer.

There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice.

When I was doing ‘Scarface,’ I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time.

I do believe, and I will always believe, that Shakespeare on film is really something that should be tried more often because it is an opportunity to take the humanity that Shakespeare writes into characters and express it.

My weaknesses… I wish I could come up with something.

If I find something and feel as though I can contribute to [it] in a way and feel I’m in it, whatever that means.

My movies are always being played on television, I’m very well known and all that stuff.

When you’re reading some of the great plays, when you do what I call “taking up with a writer,” something happens.

I’m not a violent person, never was, but I have this temperament that I’ve always displayed.

I never saw myself as a director. It’s certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.

[Marlon] Brando’s a giant on every level. When he acts it’s as if he landed from another planet. A planet where they produce great actors.

In the old days villains had moustaches and kicked the dog. Audiences are smarter today. They don’t want their villain to be thrown at them with green limelight on his face. They want an ordinary human being with failings.

I enjoy playing the audience like a piano.

Cricketers have to perform in front of millions, and there are no retakes. If then you become a hero, you deserve all the accolades coming your way.

I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.

I always take the audience into account.

Always make the audience suffer as much as possible.

Our job, as actors, is not to tell the audience how interesting we are, but to entertain them with our films.

I don’t write because there’s an audience. I write because there is literature.