What kind of failure was it? A failure because it’s misunderstood by others? A failure because you misunderstood it yourself?
AL PACINORead it to the class and then afterward we would talk and I would answer questions. It was really a way of expressing and finding out about where I was at that particular time, so it was very therapeutic for me.
More Al Pacino Quotes
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I probably write a poem every 50 years.
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And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
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That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
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You try to maintain a neutral approach to your work, and not be too hard on yourself.
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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
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I put comedy as much as I can into all my movies, if I can help it.
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You don’t get to know anybody in a movie until after it’s over. You work less together in a film than you do onstage.
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I’m sensing something and I’m going along with it. It reminds me of a painting, the way Jackson Pollack painted – Jackson Pollack, the great, great artist.
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I was watching Revolution, and the things I did in that picture, holy smokes! I can’t believe I did that, it’s like another person. It’s the thought of it, it’s just appalling to me.
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The thing is doing it, that’s what it’s all about. Not in the results of it. After all what is a risk? It’s a risk not to take risks. Otherwise, you can go stale and repeat yourself.
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It turned out that time doesn’t heal the wound , but in its so merciful way , blunts the edges ever so slightly
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Learning (Shakespeare’s plays) …in school was a bit of a bore.
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They cost nothing, and they can be as real as you like to make them. You own your dreams and they are priceless.
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I do Shakespeare when I am feeling a certain way.
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Really, I didn’t know my dad very well. He and my mother split up after the war. I was raised by my maternal grandmother and grandfather, and by my mother.
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A lot of acting is private time.
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You’re talking to him and all of a sudden, you say, “He’s puttin’ that in his cash register!”
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I would say I am more concerned with the plays I’m going to do than the movies.
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The actor becomes an emotional athlete. The process is painful – my personal life suffers.
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I picked the wrong movie, or I didn’t pursue a character, but everything you do is part of you and you get something from it.
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I found that speaking live to people, young people, about what I liked and what had been happening to me was very good for me.
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Sometimes they are the same exact thing.
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It’s very evocative; it’s like a first cut because you hear ‘She walked to the door,’ and you visualize all these things. ‘She opens the door’ . . . because you read the stage directions, too.
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If something is working, don’t fix it. Keep going. Go with the glow.
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It’s never really that much fun for me to do movies anyway, because you – you know, you have to get up very early in the morning and you have to go in and you spend a lot of time waiting around.
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[Ocean’s Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids.
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